“Experiments in Motion is a research initiative conducted by the Columbia University Graduate School of Architecture, Planning and Preservation (GSAPP), in collaboration with Audi of America and LowLine. The aim of the initiative is to explore new forms of urban motion and new spaces for mobility, with special emphasis on New York City.
Students from the program have spent the summer researching all transportation systems in New York City, exposing the potential of underground spaces. Three studios have researched different aspects of movement in contemporary cities: Paradigms in Motion, Design in Motion and Participation in Motion. A fifty foot floating model of Manhattan made from aluminium displays Manhattan’s road infrastructure, while the plexiglass below presents a never before seen view of the architectural volumes of every subway station on the island. A network of subways, tunnels, bike lanes and bridges are presented as flows of movement, revealing a new reality of the city life – it exposes the city as an interconnected system for mobility.
The exhibition marking the end of the first year of Experiments in Motion will feature nine different projects that explore ideas about the future of New York transportation. It will be open to the public at the Essex Street Warehouse in New York City September 15-27.”
“For DustNadav Kander photographed the desolated landscapes of the Aral Sea and captured fascinating images of the restricted military zones of Priozersk and Kurtchatov, which did not appear on any map until well after the end of the Cold War. Long-distance missiles were tested in Priozersk under great secrecy. Hundreds of atomic bombs were detonated in the so-called Polygon near Kurchatov until the program ended in 1989. The bombs were exploded in a remote but still populated area, and covert studies were made of the effects of the radiation on the unsuspecting inhabitants. Kander writes how the ticking of the Geiger counter on his belt while he photographed reminded him that he should not become too enthralled with the aesthetic and painterly allure of the crumbling ruins.” Text via.